[ HONDA BOTB // PROJECT.LOG / 2025 ]
BIG BAND ENERGY
Campaign and live-event creative direction for Honda Battle of the Bands’ first West Coast event at SoFi Stadium.
[ MY.ROLE ] Campaign platform, copywriting, performer selection, and audience-facing visual graphics.

[ DIRECTOR’S.NOTES ]
THE LINE
I wrote “BIG BAND ENERGY” to honor the culture of Battle of the Bands while giving its first West Coast event a fresh identity.
THE HEADLINER
I chose GloRilla because her momentum with Gen Z matched the audience we wanted to bring in. That audience fit was why I pushed for her over Snoop Dogg, the option leadership had been considering.
[ CONCEPT + COPY ]
I developed the look and feel and wrote “BIG BAND ENERGY,” the campaign line for the West Coast debut.
[ AUDIENCE + TALENT ]
I selected GloRilla to help bring a new Gen Z audience into an established cultural event.
[ DESIGN.LEADERSHIP ]
My design team created the event graphics. I briefed the work, directed revisions, and selected and approved all final audience-facing graphics.
Develop the look and feel for Honda Battle of the Bands’ first West Coast event. The campaign needed to speak to legacy BOTB fans and a new Gen Z audience, honoring the established culture while giving this edition its own character.
A West Coast debut with HBCU roots.
The central challenge was generational: preserve what longtime fans valued while giving younger audiences a reason to attend. I wrote “BIG BAND ENERGY” to express the event’s history in a line that could belong to its West Coast debut.
[ THE.WORK ]
[ 01 / COPY + MOTION ]
give the campaign a voice.
I wrote “BIG BAND ENERGY” to connect the event’s established culture with a fresh West Coast expression. The finished announcements show how the campaign voice accompanied the lineup.
THE BANDS ARE LOCKED IN!
Honda Battle of the Bands / campaign film
Campaign voiceover and taglines by Faiz Ghori. The film carries the same platform into sound and motion.

[ 02 / VISUAL.DIRECTION ]
six schools. one campaign.
I briefed my design team and directed revisions across the audience-facing event graphics. A shared visual treatment connected the school announcements while each band retained its own colors and identity.






[ 03 / EXPERIENTIAL.CONTRIBUTION ]
choose the headliner for the audience.
The audience objective guided more than the campaign line. When leadership initially leaned toward Snoop Dogg as headliner, I advocated for GloRilla. Her recent momentum made her, in my judgment, the stronger fit for the Gen Z audience we wanted to bring in. I carried that choice through to performer selection and approved the final event graphics created by my team.


[ RESULTS ]
Honda measured and supplied these campaign-wide results: 28.5K+ tickets, 46.2M+ impressions, 600K+ community votes, and 42.5% search CTR. [ REPORTING.CONTEXT ↓ ]
[ ASSET.ARCHIVE ] — 1 image

[ CREDITS + OUTPUT ]
PLATFORM DEVELOPMENT // CAMPAIGN COPY // CREATIVE TOOLKIT
[ COLLABORATION ]Honda // Battle of the Bands 2025
[ FULL.LOG ] — project background
[ SYSTEM.SPECS ]
- CLIENT
- HONDA
- ROLE
- CAMPAIGN + LIVE-EVENT CREATIVE DIRECTION + COPYWRITING
- OUTPUT
- EXPERIENTIAL // 360 CAMPAIGN
- STATUS
- 28.5K TICKETS SOLD // RECORD ENGAGEMENT
[ THE.SYSTEM ]
Leadership initially leaned toward Snoop Dogg as headliner. I chose GloRilla because she had just had a massive year with the Gen Z audience we wanted to reach.
[ THE.WORK ]
- concept: developed the campaign look and feel and originated the BIG BAND ENERGY line.
- talent: selected GloRilla, using relevance to the intended Gen Z audience as the deciding criterion.
- design leadership: briefed my design team, directed revisions, and selected and approved all final audience-facing event graphics. The design team created the graphics.
- copy: wrote campaign voiceover and taglines.
[ OUTCOME ]
Honda measured and supplied the campaign results. These are campaign-wide figures, rather than effects attributed to one creative decision.
- 28.5K+ tickets sold.
- 46.2M+ impressions.
- 600K+ community votes.
- 42.5% search CTR.